11/14/2023 0 Comments David lynch wild at heart eraserheadThe ugly and the perverse weigh equally with violence in Lynch’s mind but it’s in the bloodied acts – and the dubious memory of them – that Lynch often reveals the lacerating emotions of the confused artists, lunatics, and demented loners he has created.ĭespite this, it’s wrongheaded to consider Lynch simply in horror terms. And needless to say, the ecstatic, near-unbearable terror of Laura Palmer’s death hangs like a neon glow-in-the-dark bull skull over the happenings in Twin Peaks and Fire Walk With Me. Nicolas Cage’s Sailor doesn’t say more than a few words before he beats a would-be hitman to death in Wild at Heart. The brutal butchering of Patricia Arquette’s femme fatale fuels the identity crisis at the heart of Lost Highway. A severed ear uncovers a world of drug-addled maniacs in Blue Velvet. Instead, she shows how he subverts traditional Hollywood gender roles to offer an optimistic view that love and human connection are really possible.Indeed, horror is a crucial part of Lynch’s imagery and points toward his fascination with the corrupting element of repression. Nochimson's interpretations explode previous misconceptions of Lynch as a deviant filmmaker and misogynist. These include Twin Peaks: Fire Walk with Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man, Eraserhead, The Grandmother, The Alphabet, and Lynch's most recent, Lost Highway. Nochimson begins with a look at Lynch's visual influences-Jackson Pollock, Francis Bacon, and Edward Hopper-and his links to Alfred Hitchcock and Orson Welles, then moves into the heart of her study, in-depth analyses of Lynch's films and television productions. In this innovative book, she draws on these strategies to offer close readings of Lynch's films, informed by unprecedented, in-depth interviews with Lynch himself. To understand Lynch's films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language. Filmmaker David Lynch asserts that when he is directing, ninety percent of the time he doesn't know what he is doing.
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